Sitaare Zameen Par: A Stirring Comeback With A Few Stumbles
Aamir Khan’s much-anticipated return to the big screen after nearly three years—with Sitaare Zameen Par, released June 20, 2025—has sparked conversations. This sports comedy-drama, directed by R. S. Prasanna and co-starring Genelia D’Souza, unfolds as a spiritual successor to Taare Zameen Par (2007) and follows a basketball coach navigating redemption by training a team of neurodivergent adults.
Act I: Uneven Footing, Then a Strong Surge
According to the Hindustan Times review you shared, the film "stumbles" early—perhaps weighed down by its noble intentions or tonal inconsistencies. But like a clutch three-pointer, it finds its groove in the second half. Aamir—once again stepping into a mentor role—shapes an emotional arc that resonates deeply, transforming the narrative into a heartwarming lesson on inclusion and self-worth.
Early audience sentiment mirrors this arc: the first half tests their patience, but the second lifts them to cheers and tears in equal measure .
Social & Critical Reactions
Across Social Media and Critics
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Viewers describe it as an “emotional celebration of dreams” and a “movie with heart”, applauding its blend of humor and sensitivity.
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Sudha Murty, at a special screening on June 9, called it an “eye-opener”—highlighting the purity and depth of differently-abled individuals, and emphasizing philosophical lessons on inclusivity
Cricket icon Sachin Tendulkar echoed the sentiment, noting the film’s capacity to “bring people together”
Voices from the Crowd
From special screenings, several audience reactions stood out:
“You looked after many aspects of sensitivity. Kudos to the writer, director and the dialogues.”
“After Taare Zameen Par… this will change perceptions.”
“Last twist was also great. You made us cry.”
These reflections showcase the film’s emotional impact, particularly during live screenings where Aamir himself engaged with viewers.
Box Office Snapshot
Despite its emotional resonance, Sitaare Zameen Par touched down modestly at the box office: earning approximately ₹10.5 crore on opening day and ₹11.7 crore over the first two days—underperforming in comparison with Aamir’s past releases, including Laal Singh Chaddha. Factors like competition from other releases, marketing, and audience expectations might all play into this lukewarm start.
Context & Expectations
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A Spiritual Heir: Remaking Spain’s Champions (2018), Sitaare Zameen Par is infused with Aamir’s signature message-driven storytelling—gently pushing viewers toward empathy and inclusion.
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Star Power Returns: For Aamir, it's a return to roots—reminiscent of his transformative roles in Taare Zameen Par. Many describe it as the sequel where the student teaches the teacher—a thematic mirror of his earlier work
Strong Technical Canvas: With music by Shankar‑Ehsaan‑Loy, a script by Divy Nidhi Sharma, and direction from RS Prasanna, the film blends heart and craft, even if the messaging occasionally overreaches
Final Take: Heartwarming, Messy, Impactful
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Emotional Core: By the second half, the film delivers the emotional payoff it built toward—affirming Aamir’s ability to connect.
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Mixed Reception: Critics and viewers praise its sentiment and message, though some note it lacks the finesse and originality of Taare Zameen Par .
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Social Impact: Even if box office numbers aren't roaring, the film’s social resonance—supported by endorsements like Sudha Murty and Sachin Tendulkar—suggests a lingering cultural footprint.
Closing Thoughts
Sitaare Zameen Par isn’t a flawless remake or a runaway hit—but it’s a well-intentioned film rooted in compassion. It stumbles at first, but when it finds its stride, it soars—offering reminders that cinema can still challenge, heal, and unify.
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If you're drawn to emotionally rich, socially aware stories, give it a watch—especially for its final emotional arcs.
- But if you're hoping for the seamless magic of Aamir’s best works, southward comparisons may sting.
In the end, Sitaare Zameen Par reignites a conversation about empathy—earning its place, not just in theatres, but in hearts.

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